Category: Art Appreciation


This continues my series on Gustav Klimt. Below find a selection of Houses and Churches that he created into Otherworldly abodes that exist in the fertile ground of Klimt’s imagination. Where I could find them, I also include the real world places Klimt used as models for these enchanting landscapes.

Viale Alberato

The Restaurant

Schloss Kammer at Attersee

Malcesine sul Garda

House at Unterach

Farmhouse at Kammer

Church in Unterach on Attersee

Church at Cassone sul Garda

Gustav Klimt:   http://en.wikipedia.org/wiki/Gustav_Klimt

Gustav Klimt (July 14, 1862– February 6, 1918) was an Austrian Symbolist painter. Symbolists believed that art should represent absolute truths that could only be described indirectly. In regard to Art, Symbolism became known as a contemplative refuge from the world of strife. To produce these results, it used themes of mysticism and other worldliness.

“Portrait of Adele  Bloth-Bauer” 1907

Painted in Vienna and commissioned by Ferdinand Bloch-Bauer, a wealthy industrialist who had made his fortune in the sugar industry, this portrait took three years to complete. In 2006, Ronald Lauder purchased it for $135 million for the Neue Galerie in New York.

The Kiss” 1907-1908

(Klimt`s most famous work. Painted during his “golden period”. Currently on display at the Österreichische Galerie Belvedere Museum,  housed in the Belvedere palace, in Vienna, Austria.)

“Musique” 1895

(Considered one of two studies Klimt submitted to secure a contract with Franz Matsch to decorate the Palais Dumba.)

Lady with a Fan” (Donna Con Ventaglio) 1918

(Known as the last painting of Gustav Klimt)

“Lady with a Hat and Feather Boa”

(Around 1899 (This portrait resulted from a long-lasting relationship of Klimt with  Emilie Flöge, a proprietress of Viennese fashion salon. Most of the names of the models and other women in his life have not survived, partly because Flöge burnt much of Klimt’s correspondence after his death from a stroke in 1918. Recent findings reveal the young woman in the portrait as Hilde Roth, a Bohemian redhead from Budapest.)

“Portrait of Emilie” Floge” 1902

(Emilie Floge, 1874-1952, Klimt’s lifelong companion, mistress and one of his principal heirs was born into the family of  a prosperous pipe manufacturer, Hermann Floge . Klimt’s first portrait of her dates to 1891 and would appear in many of his paintings as both subject and model. After Klimt’s death in 1918, Emilie inherited half of his belongings.)

Enjoy!

References:

Gustav Klimt:   http://en.wikipedia.org/wiki/Gustav_Klimt

Symbolism:   http://en.wikipedia.org/wiki/Symbolism_(arts)#The_Symbolist_Manifesto

Gustav Klimt:   http://vezur.com/art/catalogue/reproductions/gustav-klimt

Gustav Klimt. Portrait of Emilie Flöge:   http://www.abcgallery.com/K/klimt/klimt89.html

English: The Water Lily Pond ((1919) by Claude...

The Water Lily Pond by Claude Monet

Here is a project that I found it in a  book entitled: Art for the Very Young by Elizabeth Kelly and Joanne McConville. It features a technique made popular by the Impressionist art movement of which Claude Monet was and still is a front-runner. I first discovered this charming painter when I did an assignment on one of Monet’s fellow Impressionists, Pierre-Auguste Renoir for Humanities class in the eleventh grade, high school.

Enjoy!

Materials Needed:

Cookie sheets, cake pans, or pizza pans

tablespoon each of blue, purple, pink, green tempera paint

Honey

Water

Dish detergent

Wite construction paper that is larger than the pan you choose to use

Green tissue paper

Small plastic containers, one for each paint color

Scissors

Paint brush(es)

Cut tissue paper into lily pads. In each plastic container mix: 1 tempera paint color with 1  tablespoon each of honey and water. Place pan upside down and paint the surface with any combination of the tempera-honey-water mixtures. Place construction paper over painted area. Gently smooth paper with hands. Carefully lift paper to reveal a “pond” pattern. Place tissue paper lily pads on wet paint. Gently smooth them down and let painting dry.

References:

Art for the Very Young: Ages 3-6

Art for the Very Young:   http://www.amazon.com/Art-Very-Young-Ages-3-6/dp/1568226683/ref=sr_1_1?ie=UTF8&qid=1325716647&sr=8-1

Related articles

File:Color icon orange v2.svg

Orange collection

Image by Eva the Weaver via Flickr

Painting of Anne of Cleves, fourth wife of the...

Anne of Cleves, Fourth Wife of King Hengy VIIIHenry VIIIImage by WGyuri via Flickr

Orange is one of three secondary colors. Made by mixing varied amounts of the primary colors red and yellow and with white or black, for the various tints. So, when it came to the word Orange, what came first the fruit or the color? The fruit originated in China. The word first came from a Dravidian language (spoken in India, Sri Lanka, Pakistan, Nepal, Bangladesh, Afghanistan, Iran, Malaysia and Singapore) before reaching the English language in 1512 where it was first mentioned at the court of King Henry VIII. Before that, the name red-yellow tagged the color we know as orange . This is why people with “red” hair or “gold” fish are not called, orange-haired or orange fish.

Famous paintings that use the color orange.

Sunrise HarborClaude MonetClaude Monet

3 Impression Sunrise–Claude Monet

Bedroom ArlesVincent Van Gogh

Vincent Van Gogh

White Grapes,Apples,Pears,Lemons and Orange–Vincent Van Gogh

Vase with Fifteen Sunflowers–Vincent Van Gogh

References:

Orange:   http://simple.wikipedia.org/wiki/Orange#cite_note-0

What the Color Orange Means:   http://www.ehow.com/facts_5821227_color-orange-means.html

Orange (Word):   http://en.wikipedia.org/wiki/Orange_(word)

Orange (Color):   http://en.wikipedia.org/wiki/Orange_(colour)

Color Orange Meaning:   http://crystal-cure.com/orange.html

Dravidian languages:   http://en.wikipedia.org/wiki/Dravidian_language

Portrait of Madame Matisse (The green line), 1...

Portrait of Madame Matisse Matisse

Les Fauves, “the wild beasts” is an artistic group that began in the early twentieth-century from 1904–1908 that emphasized strong, bright color over realism using wild brush strokes. The subjects of the pieces were simplistic and abstract, a mode of Expressionism. The leaders of the movement were Henri Matisse and Andre Derain.

File:Matissetoits.gif

Les toits de Collioure Matisse

 File:Self-portrait in studio by André Derain.jpg

Self Portrait in Studio Andre Derain

File:Derain CharingCrossBridge.png

Charing Cross Bridge Andre Derain

Other Links:

Wikimedia:Fauvism   http://en.wikipedia.org/wiki/Fauvism

The Metropolitan Museum of Art: Fauvism   http://www.metmuseum.org/toah/hd/fauv/hd_fauv.htm

Google Images: “The Fauvre Art”   http://www.google.com/search?q=the+fauve+art+images&hl=en&nord=1&biw=1600&bih=775&site=webhp&prmd=imvns&tbm=isch&tbo=u&source=univ&sa=X&ei=A_OhTpxL5MqxArKQ0aEF&ved=0CC8QsAQ

Fun with Color!

Color Theory Portrait

Color Theory Portrait

This website is very interesting. It concerns how different colors make us feel. If you are interested in knowing why red makes our hearts beat faster and green calms us down, take a moment to click and read the link below.

http://www.infoplease.com/spot/colors1.html

Another link that you might find worth a visit concerns color theory. It has an attached tutorial that is located at the end of the article under “Color Basics”.

http://worqx.com/color/

Did you know that true color found on computer graphics has over 16,000,000 different hues of color, tint and shades? Check out this Wikipedia site to learn more.

http://en.wikipedia.org/wiki/Color_depth#Truecolor

Have fun while you learn!

The Nine Dragon Wall in the Forbidden City in ...

Image via Wikipedia

T

The Nine Dragon Wall (Jiǔ Lóng Bì) was built in 1773 in the east of the Outer Court and the Hall of Preserving Harmony (Bǎo Hé Diàn)at the northeastern section of the palace of the Forbidden City as a retirement villa for Emperor Qianlong (1735-1796). It was built to provide privacy by blocking the view through the Gate of Imperial Supremacy (Huangji men) into the Palace of Tranquil Longevity (Ningshou gong).

The nine dragons play with a pearl. Made of glaze bricks colored yellow, blue, purple and white , it stands 96.5 feet long and 11.5 feet tall and stands to deny access to evil spirits, which must travel in straight lines. In traditional homes, the entrance is often through a short alley ending in a wall faced with a decorative design. The actual entry is in the side wall, usually the left wall, at the end of the dead-end alley. The angled entry serves the same functions.

On close inspection a flaw can be found in the third white dragon. A piece of wood patches a broken piece of glazed tile on its belly. The story is that a carpenter carved the wood as a replacement for fear of punishment if the wall was not completed on time.

The dragons on the wall swim in the ocean waves because Chinese dragon do not breathe fire. They are instead benevolent creature that, since ancient times, have saved mankind from drought by making it rain. They also has the power to calm waters, stop river floods, and when called upon, can dispel the waters. They are also the symbol of power, luck, prayers for rain, controlling floods, and longevity.

The sons of the Dragon King are:

Haoxian, who is a reckless and adventurous dragon whose image can be found decorating the eaves of palaces.

Yazi can be found engraved on the handles of knives and the hilts of swords. Yazi is brave and belligerent.

Chiwen is seen on top of things. If you look at the roof-ridge of a building, his image is often carved there so he can gaze into the distance and provide early warning.

Baxia is found near water. His image will be carved on bridges and arches leading to piers so that he can take a swim when he likes and protect the traveler from the water.

Pulao is fond of his own voice and likes to roar, so his image is carved on bells.

Bixi is actually has a tortoise shape, but is considered to be one of the dragon legends. The Bixi is an excellent pack-animal whose image appears on panniers. Bixi are represented on the sides of grave-monuments and are frequently carved as the base for important memorials.

Qiuniu loves music and he likes to hang around the bridge of stringed musical instruments.

Suanmi is fond of smoke and fire, so he twines up the legs of incense-burners. Suanni, which like to sit down, are represented upon the bases of Buddhist idols (under the Buddhas‘ or Bodhisattvas‘ feet).

Jiaotu can keep his mouth shut like a clam. He appears as either a conch spiral shape or a clamshell shape. He is found on door lintels, front doors, and major entryways. He guards your peace and privacy.

Bi’an guards the gates of prisons. Bi’an is the law and order type so are the symbol of litigation.

MORE

Nine Dragon Wall Images     http://www.google.com/search?q=nine+dragon+wall&hl=en&prmd=ivns&tbm=isch&tbo=u&source=univ&sa=X&ei=jR8RTsKDGrDEsQL13sD8CQ&ved=0CCgQsAQ&biw=1280&bih=709

Nine Dragon Wall     http://www.beijingtrip.com/attractions/forbidden/screen.htm

Nine Dragon Wall     http://hua.umf.maine.edu/China/HistoricBeijing/Forbidden_City/pages/154_ForbiddenCity.html

Franz Jozef Kline, born in Wilkes-Barre, Pennsylvania on May 23, 1910 is an American painter whose usual style falls into within the Abstract Expressionist, a movement that centered around New York in the 1940s and 1950s. He was labeled an “action painter” due to his spontaneous and intense style that focused on the actual brush strokes against canvas. Many of his “spontaneous” sketches were practiced on telephone book pages before they were rendered on actual canvas.

His best known abstract expressionist paintings are in black and white, though he re-introduced color in 1955, and used it more consistently after 1959. His paintings are deceptively subtle though on closer inspection have a dynamic, spontaneous and dramatic impact. Most of his paintings are taken from studies of bridges, tunnels, buildings, engines, railroads and other architectural and industrial icons.

PAINTINGS

Cardinal 1950

Chief 1950

Painting Number 7 1952

Untitled 1952

New York, N. Y. 1953

Suspended 1953

Painting Number Two 1953

Orange Outline 1955

Untitled 1957

C and O 1958

Heaume 1958

Black Reflections 1959

Untitled 1959

60 Blueberry Eyes 1959

Harlemen 1960

Le Gros 1961

Scudera 1961

Untitled 1961

MORE

Paul Webb Art Blog     http://poulwebb.blogspot.com/2011/05/franz-kline-abstract-expresssionist.html

Franz Kline     http://en.wikipedia.org/wiki/Franz_Kline

Franz Kline Images http://www.google.com/search?q=franz+kline+paintings&hl=en&prmd=ivnso&tbm=isch&tbo=u&source=univ&sa=X&ei=nqcHTsO_F8T30gGC19W0Cw&ved=0CFQQsAQ&biw=1280&bih=709

Lorenzo Ghiberti

Image by tim ellis via Flickr

Born on 1378 in Pelago (Florence) Italy, Lorenzo Ghiberti was an Italian artist who lived during the early Renaissance period. Best known for works in sculpture and metalworking, he was trained in the gold trade by his father, a trained artist and goldsmith. Ghiberti emigrated to Rimini after the bubonic plague struck Florence where he assisted in the completion of wall frescoes in the castle of Carlo I Malatesta.

In 1401 he became famous when he won a competition to design and create the first set of bronze doors for the Baptistery of the cathedral in Florence.  The doors would depict scenes from the new Testament. He set up a large workshop where he trained such artists as Donatello, Masolino, Michelozzo, Uccello, and Pollaiuolo. During this time, he re-invented the lost-wax casting that had been used since ancient Rome. Because of this innovation, his workshop was popular with young artists.

Ghiberti also worked on a second set of panels for a doorway in the Baptistery, which depicted scenes from the Old Testament. The style of these panels was more naturalistic, using perspective in creating the idealized subjects. They were dubbed the “Gates of Paradise” by Michelangelo and became known as a monument to the age of humanism.

Other of Ghiberti’s commissions included the execution of the gilded bronze statues of Saint John the Baptist and Saint Matthew for selected niches of the Orsanmichele in Florence. He also created a bronze figure of Saint Stephen for the Arte della Lana, the Wool Manufacturers’ Guild.

File:Firenze.Baptistry06.JPGFlorence Baptistry or Battisterio di San Giovanni

File:Ghiberticompetition.jpgGhiberti’s winning piece for the 1401 competition,  located on the north side of the baptistery. 

File:Paradies tuer florenz.jpgGates of Paradise (Porta del Paradiso)

File:Abraham (Gates of Paradise) 01.JPG

Angled view of a panel with the story of Abraham from the Gates of Paradise (Porta del Paradiso)

The Story of Isaac, Esau, and Jacob; Gates of Paradise (Porta del Paradiso), 1425-52

File:Orsanmichele, view from upfloor.JPGOrsanmichele or “Kitchen Garden of St Michael”

File:FirenzeOrsanmichele14.jpgSaint John the Baptist

File:Orsanmichele, san matteo di Ghiberti 02.JPGSaint Matthew

File:FirenzeOrsanmichele05.jpgSaint Stephen

File:Carlo Malatesta.jpgCarlo I Malatesta

Larger image - Castle MalatestianaCastle Malatestiana

MORE

Lorenzo Ghiberti     http://en.wikipedia.org/wiki/Lorenzo_Ghiberti

Web Gallery of Art/Works of Lorenzo Ghiberti     http://www.wga.hu/frames-e.html?/bio/g/ghiberti/biograph.html

Timeline for Lorenzo Ghiberti     http://www.google.com/search?sourceid=chrome&ie=UTF-8&q=ghiberti#q=ghiberti&hl=en&prmd=ivnsb&tbs=tl:1&tbo=u&ei=4778TdXiDoHz0gGAhtiEAw&sa=X&oi=timeline_result&ct=title&resnum=17&ved=0CIQB

Florence Baptistery     http://en.wikipedia.org/wiki/Florence_Baptistery

Orsanmichele     http://en.wikipedia.org/wiki/Orsanmichele

Edmund Dulac

Born on October 22, 1882,  in Toulouse, France, Edmund Dulac, an illustrator prominent during the The Golden Age of Illustration that  lasted from the 1880s until shortly after World War I, 1918. At age 22 he illustrated the collected works of the Brontë sisters.

Books with his illustrations include:

1.  Edmund Dulac’s Fairy Book — 1916  (“Urashima was so enchanted that he could not speak a word.”)

The Story Of Urashima Taro

2.  Stealers of the Light — 1916  (” The light had escaped from her dying hands.”) 

3.  Daughters of the Stars — 1939  (“The next minute, the wind was beneath them.”)

4.  Nathaniel Hawthorne‘s The Tanglewood Tales — 1918 (Medea) Medea (Tanglewood Tales, The Minotaur)- Edmund Dulac: "Medea shook her hands over the multitude below."

5.  The Kingdom of the Pearl — 1920 (Birth of the Pearl)

6.  Stories from The Arabian Nights — 1907  

                           

7.  Shakespeare’s The Tempest — 1908 (Elves and Fairies

8.  The Rubaiyat of Omar Khayyam — 1909 (Vision)   

9.  The Sleeping Beauty and Other Fairy Tales — 1910 (Evil Fairy)

10.  Stories from Hans Christian Andersen — 1911 (The Real Princess) File:Edmund Dulac - Princess and pea.jpg

11.  The Raven and Other Poems by Edgar Allan Poe — 1912 (Fairyland)

12.  Princess Badoura — 1913

13.  The Dreamer of Dreams  by  Queen Marie of Romania — 1915zuppadivetro:

madame0:

“Everything about her was white, glistening and shining…” - The Dreamer of Dreams by the Queen of Roumania
Edmund Dulac - (1915)

14.  Edmund Dulac’s Picture Book  — 1915 (Layla)   Layla
by Edmund Dulac
1860s

15.  Gods and Mortals in Love 1935 (Selene and Endymion)

16.  The Little Mermaid — 1911 (“He asked her who she was?”) File:Edmund Dulac - The Mermaid - The Prince.jpg

17.  The Snow Queen — 1911 (The Snow Queen Flies Through the Winter’s Night)

18.  The Nightingale — 1911 (Is it possible?”)File:Edmund Dulac - The Nightingale 2.jpg

19.  The Garden of Paradise –1911 (“His grandmother had told him.”)File:Edmund Dulac - The Garden of Paradise - grandmother.jpg

20.  Beauty and the Beast — 1910 (Beauty in the Garden)

21.  Fairies I Have Met — 1910 (“Drop of Crystal was too busy to speak.”) 

22.  Le Papillon Rouge (The Red Butterfly) –1909 ( The Entomologist’s Dream)

Princess Badoura and the Astrologer, 1913

Drawing portraitures,  designed theater costumes, set designs, book-plate, chocolate boxes, and medals were other uses for his artistic talents. He also illustrated caricatures for weekly magazines such as  The Outlook, published in London, The American Weekly, a Sunday supplement of the Hearst newspaper chain in the United States and Country Life, another British weekly magazine.

He had another illustrious career designing postage stamps for Great Britain including the head of King George VI, issued to commemorate his Coronation on May 13,  1937 and all subsequent stamp designs during his reign. Other stamps with his designs commemorated the 1948 Summer Olympics, the Festival of Britain, the Wilding series stamps, during the reign of Queen Elizabeth II.

Designing banknotes for Free France during World War II was another project he undertook. On May 25, 1953, before completion of his last commissioned work, Milton’s Comus, he died of a heart attack.

In 1995, Ann Hughey compiled a bibliography – Edmund Dulac – His Book Illustrations: A Bibliography, which lists over 800 editions of works that include illustrations by Edmund Dulac.


MORE

Poul Web Art Blog/Edmund Dulac    http://poulwebb.blogspot.com/2010/06/edmund-dulac.html

Images for Edmund Dulac     http://is.gd/BTNEBy

Wikipedia, the Free Encyclopedia/Edmund Dulac    http://en.wikipedia.org/wiki/Edmund_Dulac

Artsy Craftsy    http://is.gd/buzOeE

Edmund Dulac’s Fairy Book     http://is.gd/y5LlE1

The Sleeping Beauty and other Fairy Tales by Sir Arthur Quiller-Couch     http://www.bartleby.com/76/1.ht

Candlelight Stories/The Arabian Nights     http://www.candlelightstories.com/storybooks/the-arabian-nights/

Chapter Excerpt and Illustrations from The Kingdom of the Pearl    http://www.thelck.com/dulac/KingdomOfThePearl.php

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